Sriya Suka and Radharani
by Srila Bhaktivedanta Narayana Maharaja
A reason given as to why Sukadeva Goswami did not directlymention Srimati Radharani's name in the Srimad-Bhagavatam isbecause Maharaja Pariksit had only seven days to live, anduttering Radhika's name would have thrown Sukadeva into ecstatictrance for six months. In the Brahma-vaivarta Purana, it ismentioned sri radha-nama mantrena murcha sanmasiki bhavetnoccareta mata spastam pariksit hit krn munih: if SukadevaGoswami uttered the name of Srimati Radhika, he would at onceremember Her pastimes. Due to his radha-prema he would havebecome avista-citta, excited and fixed in remembering Herpastimes and activities in the service of Krsna. He would thenhave become internally fixed on Krsna and inert forsix months. But Pariksit Maharaja had only seven days to live,and Sukadeva wanted him to have the benefit of the entire
Srimad-Bhagavatam.
Why would Sukadeva Goswami go into an ecstatic trance at the meremention of the name of Srimati Radhika? In his commentary on hisown Brhad-bhagavatamrta, Sanatana Goswami writes, "SrimatiRadhika was the worshipable goddess of Sukadeva Goswami, sowhenever he uttered Her name, he would become avista-citta,internally spiritually excited and externally inert. So in theSrimad-Bhagavatam he has given the name of Radhika and othergopis in a hidden way." Sukadeva Goswami has therefore notuttered Her name directly, but only indirectly. According to therasa-sastra, an indirect utterance is better than a direct one.
veda brahmatma-visayas
tri-kanda-visaya ime
paroksa-vada rsayah
paroksam mama ca priyam
Srimad-Bhag. 11.21.35
Krsna says, "The Vedas, divided into three divisions, ultimatelyreveal the living entity as pure spirit soul. The Vedic seers andmantras, however, deal in esoteric terms, and I am also pleasedby such confidential descriptions."
So Sukadeva Goswami also uttered the gopis names indirectly, asin 'anayaradhito' (Srimad-Bhag. 10.30.28), which indicates thatgopi by whom Krsna was perfectly worshipped, Srimati Radhika. Arasika-bhakta can understand that it was Srimati Radhika who hadmost perfectly worshipped Krsna, who Krsna had taken away fromthe rasa-sthali (the arena of the rasa dance), and whom He haddisappeared with in the forest. It was only this gopi whose headand feet Krsna had decorated in a place. Even uponuttering the word 'aradhito', which indicates Srimati Radharaniand sounds so much like Her name, Sukadeva Goswami at oncestarted becoming avista-citta. But after becoming so emotional,he then changed the subject.
Also in verse 2.4.14 of Srimad-Bhagavatam, Sukadeva Goswami usedthe word 'radhasa ', meaning Krsna's unequalled opulence, as anindirect reference to Srimati Radhika. Sanatana Goswami says thatin the five chapters of the Tenth Canto of the Bhagavatam whichdescribe rasa, in the Gopi-gita, in the Bhramara-gita, and in theUddhava-sandesa, Sukadeva Goswami has also carefully used otherwords to indirectly denote Srimati Radhika. He has used the wordskascid doham hitva in verse 10.29.5, the words tais taih padaisin verse 10.30.26, the words yam gopim anayat in verse 10.30.35,the words sa vadhur anvatapyata in verse 10.30.38, and the wordskacit karambujam saurer in verse 10.32.4. Each of these quotesdenote Srimati Radhika and the other gopis. Those who arerasika-bhaktas, whose eyes are open, can see the names of thegopis and the name of Srimati Radhika everywhere, but those whoare blind cannot. Therefore we are especially grateful toSanatana Goswami, for without his revealing these truths to us,we could never understand.
But why would Sukadeva Goswami really become so emotional at themere mention of the name of Srimati Radhika? In the Bhagavatam itis often stated, "sri suka uvaca." Sri suka means sriya suka, orthe suka, parrot, of Sri, Srimati Radhika. In his SriAnanda-Vrndavana-campu, Kavi Karnapura explains that previouslySukadeva was the parrot of Radhika, and used to sit on SrimatiRadhika's left hand while she would feed him the seeds from apomegranate fruit. She would pet him affectionately telling him,"Bolo Krsna! Krsna!" This parrot would then sweetly utter thenames of Krsna.
Once he flew into Krsna's garden at Nandagrama where he begansinging 'Krsna, Krsna' as sweetly as Srimati Radhika Herselfwould, and in the same melodious tone. Hearing this, Krsna wasvery attracted, and noticing this beautiful parrot sitting in thepomegranate tree, He said, "Please speak some more." Then theparrot began to lament, "Oh, I am very wretched and 'akrtajna',ungrateful, because I was sitting in the hand of Srimati RadhikaHerself, and She was feeding me pomegranate seeds, milk, andrice. She was teaching me how to sing 'Krsna, Krsna' verysweetly, but I flew away and have come here, so I am veryunfortunate." Then Krsna took the parrot in His hand and began tofondle it. In the meantime, Lalita and Visakha came and said,"This parrot belongs to our mistress, Srimati Radhika. It is sodear to Her that She cannot live without it, so please give it tous, and we will return it to Radhika."
Krsna replied, "If it is really Hers, then when you call it, itwill come to you. And sakhis, if he is not really Hers, then hewill not come to you."
They tried many times to call the parrot, but it would not cometo them. Then they began scolding Krsna, saying, "Whatever comesto You never gets returned to its rightful owner!" Next theyapproached Mother Yasoda and explained the situation, so Yasodacame and snatched the parrot away from Krsna, saying, "You arealways doing nothing but playing with animals and birds! It istime for Your bath. Your father is prepared to take his meal, butwithout You he cannot take it. So come at once!" Then she gavethe parrot to Lalita and Visakha and dragged Krsna away.
Before Radha and Krsna returned to Goloka-Vrndavana, They toldthe parrot, "You must remain in this world to propagate theSrimad-Bhagavatam." The parrot began to weep, but They both toldhim, "Except for you there is no qualified personality tomanifest the Bhagavatam, so you must remain here." So after thedisappearance of Radhika and Krsna, the parrot began searchingfor a place where krsna-katha was being spoken. Knowing thatSankara was a great devotee of Krsna, he flew to Kailasa Mountainwhere he found Sankara reciting that same Srimad-Bhagavatam tohis wife Parvati. So he sat in a tree, and being wellcamouflaged, his presence was unknown to Sankara.
Because the first three cantos of the Bhagavatam are veryphilosophical, in accordance with the nature of a woman, Parvatifell asleep as she was hearing it. She wanted to hear only theromantic pastimes, especially how Radha and Krsna would meet andwalk and laugh together. But now and then the parrot would reply,"Yes, yes" and Sankara would carry on eagerly reciting, thinkingthat Parvati was listening.
When Sankara completed reciting the Twelfth Canto, Parvati atonce awakened and said, "But I have not heard what I desired to!Have you already spoken the Tenth Canto? Please recite it to meagain." Then Sankara thought, "Then who has been hearing, andfrom time to time saying, 'Yes, yes, it is very nice' in the sametone as Parvati?" He began searching, and then, noticing thatthere was a very beautiful parrot sitting on the branch of anearby tree, he thought, "A parrot can imitate anyone's voice, soperhaps he has been saying it. No unqualified person should hearSrimad-Bhagavatam. Because he is a bird, he is unqualified, so heshould be immediately killed, otherwise he may misuse what he hasheard." Picking up his trident, Sankara went to kill the parrot,but it flew away and entered the asrama of Vyasadeva on the bankof the river Ganges at Badrikasrama. There he saw that Vyasadevawas reciting the same Srimad-Bhagavatam to his wife, who was sowonderstruck upon hearing it that her mouth was hanging open inastonishment. Therefore the parrot flew into her mouth and wentinside her. Pursuing that parrot, Sankara arrived there with histrident in his hand and said:
"Vyasadeva, I offer pranama to you. I am following a parrothave you seen it?"
Laughing, Vyasadeva replied, "Why are you searching for aparrot?"
"I want to kill it."
"Why?"
"Because he has heard the Srimad-Bhagavatam, but he isunqualified to have done so."
"May I ask you what is the result of hearing the Bhagavatam?"
"One becomes immortal."
"So if he has now become immortal, how will you kill him? Youshould abandon this idea and return to your asrama."
Realising that the parrot could not be killed, Sankara returnedto Kailasa. After living in his mother's womb for sixteen years,this parrot appeared in the form of Sukadeva and later spoke theBhagavatam. So because Sukadeva was previously sriya suka, theparrot of Srimati Radhika Herself, he was so rasika that he couldnot utter the name of Radhika without becoming avista-citta.
Other Puranas mention Srimati Radharani directly, but thesePuranas are not one-hundred percent free from the tinges of karmaand jnana. The Bhagavatam is beyond the other Puranas and uniquein its freedom from all expressions other than the glorificationof krsna-bhakti. No hint of karma or jnana taint its pages.
The goal of the Bhagavatam, in essence, even more than glorifyingKrsna, is to glorify Srimati Radharani. This is so becauseRadhika possesses the most selfless love for Krsna, more than theother residents of Vrndavana, and even more than the other gopis.This being true, the Bhagavatam thus mentions the glories ofRadhika in practically every verse. Those who have the eyes tosee can perceive Radhika's name everywhere, in every verse. ButSukadeva Goswami has carefully spoken the Srimad-Bhagavatam sothat these glories are mentioned only indirectly. This isnatural, for one keeps those things which are dearest to himhidden, protected from the unqualified who cannot fullyappreciate them. As a chaste wife covers her head in public withher sari and uncovers it only in the presence of her husband, soSukadeva has presented the truth about Srimati Radhika in acovered fashion. Only the rasika-bhaktas who possess the propereligibility can actually pierce Sukadeva's covering.
Another analogy can help us to understand this point. The nakedbody of a woman is not so beautiful, but if she covers her bodywith a fine transparent cloth and then water is poured on thatcloth, each of her features are revealed. This is how toappreciate the beautiful features of a woman. Similarly, theglories of Srimati Radhika are enhanced through the thin coveringsupplied by the author, the supremely intelligent SukadevaGoswami. Covering Her supreme position also enhances the ultimaterevelation of those glories, as things obtained with hardship areappreciated more than those easily attained. Therefore theattainment of prema must necessarily include the overcoming ofobstacles.
Like oil hidden within mustard seeds or butter hidden withinmilk, the glories of Srimati Radhika are hidden within theSrimad-Bhagavatam. But the foolish cannot recognise them. Thecommentaries of Srila Jiva Goswami and Srila VisvanathaCakravarti Thakura, however, reveal those glories to us. In verse10.14.34, Brahma prayed to become a blade of grass in Vrndavanaso he could catch the dust from the feet of all the residents ofVraja. Uddhava, on the other hand, also desired to take birth asa blade of grass in Vrndavana, but only wished to obtain the dustof the feet of one gopi. (The word carana-renu, "the dust fromthe feet," is singular in verse 10.47.61.) He wanted only thedust from the feet of that gopi who had gone off alone during therasa dance. And who was that gopi? Srimati Radhika.
After leaving the gopis during the rasa dance, Krsna was smilinga mild, closed smile. Inside, He felt ashamed that He had causedthe gopis some difficulty. Verses 10.32.4, 5, 7, and 8 describethat one gopi (Candravali) took Krsna's feet in her lap, another(Syamala) took His hand, another (Saibya) took His other hand,yet another (Padma) mildly chastised Him, another (Lalita) saidwith some sarcasm, "Oh, You are a very good friend!", and another(Visakha) was crying. Verse 10.32.6 describes a seventh gopi whoexhibited mana, jealous anger, from a distance, expressingthrough Her glance that She believed Krsna was ungratefulconsidering all that the gopis had done for Him. This was SrimatiRadhika.
Sri Caitanya Mahaprabhu is Krsna Himself having assumed the moodof Srimati Radhika, and He tells us that the gopis are the bestworshippers of Krsna. If the Bhagavatam did not contain theglories of Srimati Radhika, Sri Caitanya Mahaprabhu would havenever touched it. But because Her glories are present withinevery verse, He embraced the Bhagavatam close to His breast.
Thus the Srimad-Bhagavatam is certainly the spotless Purana, andbecause of its level of presentation of rasa and siddhanta, it iswithout a doubt the most authorised scripture.
Comment ;Srila Sukadeva Goswami stayed in the womb for 16 years (sometiems it is said 12)
Srila Prabhupada has explained extensively about Sukadeva Goswami:
SB Canto 1
SB 1.1.3, Purport:
One must be very to hear the message from the right source. Śrīmad-Bhāgavatam is exactly received from the right source. It was brought by Nārada Muni from the spiritual world and given to his disciple Śrī Vyāsadeva. The latter in turn delivered the message to his son Śrīla Śukadeva Gosvāmī, and Śrīla Śukadeva Gosvāmī delivered the message to Mahārāja Parīkṣit just seven days before the King's death. Śrīla Śukadeva Gosvāmī was a liberated soul from his very birth. He was liberated even in the womb of his mother, and he did not undergo any sort of spiritual after his birth. At birth no one is qualified, neither in the mundane nor in the spiritual sense. But Śrī Śukadeva Gosvāmī, due to his being a perfectly liberated soul, did not have to undergo an evolutionary process for spiritual realization. Yet despite his being a completely liberated person situated in the transcendental position above the three material modes, he was attracted to this transcendental rasa of the Supreme Personality of Godhead, who is adored by liberated souls who sing Vedic hymns.
SB 1.2.3, Purport:
Śrīla Vyāsadeva, being the incarnation of the Supreme Lord, could foresee the misuse of the Vedānta-sūtra by unscrupulous men, and, therefore, he personally supplemented the Vedānta-sūtra with the Bhāgavata Purāṇa. It is clearly said that this Bhāgavatam is the original commentary on the Brahma-sūtras. Śrīla Vyāsadeva also instructed the Bhāgavatam to his own son, Śrīla Śukadeva Gosvāmī, who was already at the liberated stage of transcendence. Śrīla Śukadeva realized it personally and then explained it. By the mercy of Śrīla Śukadeva, the Bhāgavata-vedānta-sūtra is available for all those sincere souls who want to get out of material existence.
SB 1.3.41, Purport:
Śrīla Śukadeva Gosvāmī is the topmost personality of all the self-realized souls, and he accepted this as the subject of studies from his father, Vyāsadeva. Śrīla Vyāsadeva is the great authority, and the subject matter of Śrīmad-Bhāgavatam being so important, he delivered the message first to his great son Śrīla Śukadeva Gosvāmī. It is compared to the cream of the milk. Vedic literature is like the milk ocean of knowledge. Cream or butter is the most palatable essence of milk, and so also is Śrīmad-Bhāgavatam, for it contains all palatable, instructive and authentic versions of different activities of the Lord and His devotees.
SB 1.5.16, Purport:
Theological science is a difficult subject, especially when it deals with the transcendental nature of God. It is not a subject matter to be understood by persons who are too much attached to material activities. Only the very expert, who have almost retired from materialistic activities by culture of spiritual knowledge, can be admitted to the study of this great science. In the Bhagavad-gītā it is clearly stated that out of many hundreds and thousands of men only one person deserves to enter into transcendental realization. And out of many thousands of such transcendentally realized persons, only a few can understand the theological science specifically dealing with God as a person. Śrī Vyāsadeva is therefore advised by Nārada to describe the science of God directly by relating His transcendental activities. Vyāsadeva is himself a personality expert in this science, and he is unattached to material enjoyment. Therefore he is the right person to describe it, and Śukadeva Gosvāmī, the son of Vyāsadeva, is the right person to receive it.
SB 1.7.8, Translation:
The great sage Vyāsadeva, after compiling the Śrīmad-Bhāgavatam and revising it, taught it to his own son, Śrī Śukadeva Gosvāmī, who was already engaged in self-realization.
SB 1.7.11, Translation:
Śrīla Śukadeva Gosvāmī, son of Śrīla Vyāsadeva, was not only transcendentally powerful. He was also very dear to the devotees of the Lord. Thus he underwent the study of this great narration (Śrīmad-Bhāgavatam).
SB 1.9.6-7, Purport:
Bādarāyaṇa (Vyāsadeva): He is known as Kṛṣṇa, Kṛṣṇa-dvaipāyana, Dvaipāyana, Satyavatī-suta, Pārāśarya, Parāśarātmaja, Bādarāyaṇa, Vedavyāsa, etc. He was the son of Mahāmuni Parāśara in the womb of Satyavatī prior to her betrothal with Mahārāja Śantanu, the father of the great general Grandfather Bhīṣmadeva. He is a powerful incarnation of Nārāyaṇa, and he broadcasts the Vedic wisdom to the world. As such, Vyāsadeva is offered respects before one chants the Vedic literature, especially the Purāṇas. Śukadeva Gosvāmī was his son, and ṛṣis like Vaiśampāyana were his disciples for different branches of the Vedas. He is the author of the great epic Mahābhārata and the great transcendental literature Bhāgavatam. The Brahma-sūtras—the Vedānta-sūtras, or Bādarāyaṇa-sūtras—were compiled by him. Amongst sages he is the most respected author by dint of severe penances. When he wanted to record the great epic Mahābhārata for the welfare of all people in the age of Kali, he was feeling the necessity of a powerful writer who could take up his dictation. By the order of Brahmājī, Śrī Gaṇeśajī took up the charge of noting down the dictation on the condition that Vyāsadeva would not stop dictation for a moment. The Mahābhārata was thus compiled by the joint endeavor of Vyāsa and Gaṇeśa.
this is a very important purport
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